Lyrica Classic

2024-2025 season

SATURDAY

JUNE 22, AT 7:00PM

Hermitage Theater

Voices of Time: 80 Years Later

Three Operas on Man and War


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Marking the 80th anniversary of the end of World War II, Lyrica Classic, in collaboration with Orchestra New Moscow and Montecchi VS Opera, comes together to present a powerful theatrical evening uniting music, memory, and reflection.

The program features three chamber operas that explore universal human themes — war, dignity, loss, choice, and survival — through distinct yet interconnected artistic voices. All three works will be performed in Russia for the first time.

Program duration:

90 minutes without intermission


Concert Program
Arnold Schoenberg — "Ode to Napoleon" (1942)

Mono-opera for baritone and ensemble

A chamber composition based on Byron’s poem, written during WWII. A musical protest against tyranny, using Schoenberg’s twelve-tone technique and the expressive “Sprechstimme” vocal style to dramatize the psychological collapse of power.

Performed by:

Baritone

Ivan MARKOV

Orchestra

NEW MOSCOW

Pianist

Karina POGOSBEKOVA

Conductor

Daiana HOFMAN

John Adams — "The Wound-Dresser" (1988)
Mono-opera for baritone and chamber orchestra

A poignant post-minimalist piece for baritone and orchestra, set to Walt Whitman’s Civil War poem. A deeply human meditation on suffering, compassion, and dignity in wartime.

Performed by:

Baritone

Maksim ANIS'KIN

Orchestra

NEW MOSCOW

Conductor

Daiana HOFMAN

Staged by

Elizaveta KORNEEVA

Jake Heggie — "Another Sunrise" (2012)
Mono-opera for soprano and ensemble

An one-act monodrama, based on the testimony of Holocaust survivor Polina Brandes. A story of memory, trauma, and the emotional weight of bearing witness.

Performed by:

Soprano

Yulia PETRACHUK

Orchestra

NEW MOSCOW

Pianist

Karina POGOSBEKOVA

Conductor

Daiana HOFMAN

Composers
Arnold Schoenberg (1874–1951)


Arnold Schoenberg was an Austrian-born composer, theorist, and painter whose work profoundly changed the course of 20th-century music. Initially rooted in late Romanticism, he became the father of atonal music and developed the twelve-tone technique (dodecaphony), a method of composition that broke with traditional tonality. Emigrating to the United States in 1933 due to the rise of Nazism, Schoenberg became a leading figure in modern music education and philosophy. His works are known for their intellectual depth, emotional intensity, and exploration of themes such as identity, power, and faith. Ode to Napoleon (1942) is one of his most politically charged compositions, written during World War II as a protest against tyranny.

John Adams (b. 1947)


John Adams is one of the most prominent and influential American composers of the contemporary era. His musical language blends post-minimalist rhythms with lush orchestration and dramatic structure. Adams often draws on American history, literature, and politics, creating works that resonate with modern audiences. Notable compositions include Nixon in China, The Death of Klinghoffer, and Doctor Atomic. His 1988 work The Wound-Dresser, based on a poem by Walt Whitman, is a deeply personal meditation on suffering, caregiving, and human compassion during times of war.

Jake Heggie (b. 1961)


Jake Heggie is an American composer whose operas have been performed by major companies around the world. He is especially recognized for his gift of lyrical writing and his ability to craft emotionally compelling stories rooted in real human experience. Heggie’s breakout work, Dead Man Walking, brought international acclaim and established his voice in the modern opera canon. Many of his operas, including Another Sunrise, address themes of memory, survival, and human dignity, often giving voice to individuals whose stories have been forgotten or silenced. His collaborations with librettist Gene Scheer have produced some of the most poignant chamber operas of the 21st century.

Artists

Юлия Петрачук: «Моя цель – создать справедливое пространство для всех талантливых музыкантов»

Yulia Petrachuk

Soprano

Russian-American soprano Yulia Petrachuk studied at Moscow Tchaikovsky Conservatory and is a graduate of Bern Opera Studio in Bern, Switzerland.

Her debut as a professional opera singer was with the State Theater Bern, Switzerland, in 2010. After that, she performed with many other recognized opera companies and concert venues such as Theater Biel (Switzerland), Ash Lawn Opera Festival (US), Opera Ischia (Italy), Dicapo Opera Theater in New York (US), Great Moscow Hall (Russia), Vocal Productions NYC (US), Nova and Opera Camerata in Washington, D.C. (US), Smetana Hall in Prague (Czech Republic), Carnegie Hall in New York (US), Musikverein and Wiener Konzerthaus in Vienna (Austria), and many others. Yulia specializes in contemporary opera and other forms of vocal music of the 20th and 21st centuries. She has performed many World and US premieres.

Out of her passion and drive to sustain and give lesser-known and unknown music a voice, Yulia Petrachuk founded Lyrica Classic Entertainment as a sounding beacon to deliver superior-level presentation of music. Yulia has robust experience in international performing arts projects, execution, and collaborations in the US and EU.

Soprano & producer

Yulia Petrachuk


Proving Up by Missy Mazzoli premiered in Russia at Helikon-Opera as a part of the Muffled Voices Festival produced by Lyrica Classic Entertainment and its director Yulia Petrachuk

Ivan Markov

Bass-baritone

Ivan Markov graduated from the Musical Theatre Faculty of GITIS (workshop of Georgy Isaakyan, 2017) and the Galina Vishnevskaya Opera Singing Center.

From 2017 to 2023, he was a soloist with the Natalia Sats Children's Musical Theater, performing leading bass and baritone roles.

He has appeared on the stages of the Bolshoi Theatre of Russia, Stanislavsky Electrotheatre, Moscow International House of Music, and the Moscow Conservatory.

Some of the roles performed by Ivan Markov include: Marcello and Schaunard (La Bohème by G. Puccini), Ceprano (Rigoletto by G. Verdi), Prudence (The Play of Soul and Body by E. Cavalieri), Mag Chelio (The Love for Three Oranges by S. Prokofiev), and the Witch (Hansel and Gretel by E. Humperdinck).

Since 2019, he has been a soloist with the independent theater project Montecchi VS Opera, performing the role of Lorenzo in Vincenzo Bellini’s I Capuleti e i Montecchi in a production directed by Elizaveta Korneeva, and the role of Robert Peary in the Russian premiere of Facing South by Canadian composer Linda Smith.

Since 2023, he has collaborated with the ensembles Questa Musica (artistic director: Philipp Chizhevsky) and Intrada (artistic director: Ekaterina Antonenko), and has participated in multimedia performances to music by Nikolay Popov, staged by Yury Kvyatkovsky.

Since 2024, he has been a soloist with the A. A. Yurlov State Academic Choir of Russia.

Bass-baritone

Ivan Markov


TBA

Baritone

TBA

Baritone

TBA


Daiana Hofmann

Conductor

Born in St. Petersburg, Daiana Hofmann graduated with honors from the Music College at the St. Petersburg Conservatory (class of Distinguished Artist of Russia, Prof. Boris Abalyan). From 2011 to 2013, she studied choral conducting at the Moscow Tchaikovsky Conservatory under Prof. Boris Tevlin. In 2015, she earned her bachelor’s degree in symphonic conducting from the Academy of Music in Belgrade, Serbia, where she studied with Prof. Bojan Suđić on a state scholarship awarded in 2013. She is currently advancing her studies in opera and symphonic conducting at the Moscow Tchaikovsky Conservatory under Assoc. Prof. Stanislav Dyachenko.

Daiana has participated in master classes with notable musicians, including Vladimir Ponkin, Dmitry Bashkirov, Gennady Rozhdestvensky, Vladimir Jurowski, Ronald Zollman, Josef Doller, and Slawek Wrublewski. She has conducted the Belgrade Radio and Television Orchestra, the Belgrade Academy Student Symphony, the Moscow Conservatory Concert Symphony Orchestra, and the Symphony Orchestra of the Moscow Conservatory Opera Theater. In addition to conducting, she actively performs as a pianist and singer, having won the international piano competition in Niš, Serbia.

Daiana is also the founder, artistic director, and conductor of the Moscow Youth Chamber Orchestra, with which she performs at renowned venues in Moscow, including the Great Hall and Rachmaninoff Hall of the Moscow Conservatory.

Conductor & producer

Daiana Hofmann


Symphony Orchestra 'New Moscow'

The orchestra was founded in 2016 by conductor Daiana Gofman. Its repertoire includes works from various eras and styles. Alongside classical performances, the musicians are pioneering new formats of interaction with diverse musical-theatrical genres, including opera, drama, and performance art.

The orchestra collaborates regularly with renowned soloists, directors, visual artists, and performers. They frequently perform at Moscow’s premier venues, such as the Great Hall of the Moscow Conservatory, the Moscow International House of Music, the Central House of Actors, and the ZIL Cultural Center, among others.


Throughout its activity, the "New Moscow" orchestra has recorded several works at Mosfilm’s Tonstudio.

Orchestra

New Moscow


Карина Погосбекова, пианистка и сопродюсер проекта Приглушённые Голоса, окончила Московскую Консерваторию и сотрудничала с ведущими оперными певцами. Её музыкальное мастерство и опыт в концертмейстерстве внесли значительный вклад в успех фестиваля.
Карина Погосбекова, пианистка и сопродюсер проекта Приглушённые Голоса, окончила Московскую Консерваторию и сотрудничала с ведущими оперными певцами. Её музыкальное мастерство и опыт в концертмейстерстве внесли значительный вклад в успех фестиваля.

Karina Pogosbekova

Pianist and partner

Karina Pogosbekova is a renowned pianist and educator, emerging from Moscow's rich cultural landscape, where she was born into a family celebrated for its scientific achievements, including her father, L. Zhivotovsky, a distinguished scientist and laureate of the National Award of the Russian Federation. A testament to her musical prowess, Pogosbekova excelled at the Moscow State Tchaikovsky Conservatory, securing a solid foundation in both solo piano and piano accompaniment through her graduate and postgraduate studies. Her commitment to fostering the next generation of musicians is evident in her current role as a piano accompaniment instructor at the same institution.


In the competitive sphere, Pogosbekova's talents have been consistently recognized. She clinched an award for the best classical sonata performance at the Young Talent competition in Vladimir, Russia, in 1992, and went on to capture two Grand Prix at the 1993 Young Artists Competition in Cincinnati – one for her solo program and another for her orchestral concerto performance. Her laureate status was affirmed at Italy's Meranofest in 1994, and later, she earned the Best Accompanist title at Moscow's Levko Vocal Competition in 2008 and at the Inspiration Art Festival.


Pogosbekova's accolades continued with Best Accompanist awards at the First Open National Natalia Spiller Vocal Competition in 2014 and at the International Classical Music Forum in 2017, where she was also recognized for her exceptional contribution to the preparation of participants. In 2020, she was honored with the Best Accompanist award at the inaugural Russian-Chinese competition #Pushkin2020.


Beyond competitions, Pogosbekova is a dynamic concert performer. Her collaborative engagements have seen her share the stage with illustrious operatic talents such as Elena Obraztsova and Hibla Gerzmava, reflecting her versatility and demand as a top-tier accompanist. Notably, she was the regular pianist for the National Artist of the USSR, Zurab Sotkilava, for over a decade. Her diverse projects include coaching for Russia's Channel One production of "Phantom of the Opera," participating in the premiere of M. Matyushin's avant-garde opera "Victory over the Sun," and the world premiere of Ilya Demutsky's opera "Black Square."


Her entrepreneurial spirit led to the inception of the "Music of Our Time" concert project in 2019, which she founded to spotlight contemporary classical vocal music. This initiative has brought more than 50 contemporary composers' works to renowned Russian stages such as the Rachmaninoff and Small Halls of the Moscow Tchaikovsky Conservatory and Moscow Zaryadye Hall, engaging stars and soloists from leading opera houses.


Pogosbekova's expertise extends to adjudicating, where she has served on juries for prestigious competitions including the Renaissance International Competition and Festival in Gyumri, Armenia, the Golden Talent of the Commonwealth of Independent States competition in Russia, and the International Opera Festival "Cantofest" in Portugal, among others.


Her illustrious career not only illustrates her exceptional talent and dedication to the performance and teaching of piano accompaniment but also highlights her influence on the advancement and appreciation of contemporary classical music on the international stage.

Pianist & producer

Karina Pogosbekova


Елизавта Корнеева примет участие в международном фестивале современной оперы
Елизавта Корнеева примет участие в международном фестивале современной оперы

Elizavrta Korneeva

Stage director

Elizaveta collaborates with the Krasnoyarsk State Opera and Ballet Theatre, the Bashkir State Opera and Ballet Theatre, the Tchaikovsky Moscow State Conservatory, the independent Moscow-based company Montecchi vs Opera, the Moscow International House of Music, the Helikon-Opera Theatre, the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre (within the framework of a festival), the Bolshoi Theatre of Russia (within the framework of a festival), the State Opera of Hanover (Germany), and the Grand Théâtre de Genève (Switzerland). She is also a recurring collaborator with Lyrica Classic, an international organization dedicated to the promotion of contemporary classical music.

She was a nominee for the Golden Mask National Theatre Award in 2022, as well as for the Onegin Opera Award, and is the winner of three nationwide competitions for young directors organized by the Russian Cultural Foundation. She won the 4th International Competition for Young Opera Directors Nano-Opera, held by Dmitry Bertman, and participated in the Creative Laboratory for Young Directors under the leadership of Alexander Petrov.

In 2021, Elizaveta collaborated with the State Opera of Hanover (Germany) and the Grand Théâtre de Genève (Switzerland).

She regularly works with the independent theatre company Montecchi vs Opera and serves as stage director of the Russian Opera Festival in Taltsy (Irkutsk).

Currently, she is working on new productions at the Bashkir State Opera and Ballet Theatre, Helikon-Opera, and the Mariinsky Theatre.

Stage director & producer

Elizaveta Korneeva