“Mr. Fennelly played with flair and energy”
-The New York Times
With Lyrica Classic, Michael worked on the concert production “On the Wings of Winter” that was performed at Weill Recital Hall at Carnegie Hall in 2016.
Praised as a pianist with “flair and energy” (The New York Times), Michael Fennelly’s recordings include The Legend of Faust: Part One, Debut, and Grand Tour. This season he is the soloist with the National Chorale in his own arrangement of Gershwin’s Rhapsody in Blue for solo piano, orchestra, and symphonic chorus at Lincoln Center. He conducts a new opera From My Mother’s Mother by Jeeyoung Kim for the Korean Cultural Center, NYC, and performs in concert with Renée Fleming and Emmy nominee Tituss Burgess. Last season Michael Fennelly established the Athena Music Foundation and toured China, Macau, and Hong Kong with several rising opera stars of the Metropolitan Opera. He performed in Bora Bora, French Polynesia, and throughout the US in concert, and was the soloist and premiered his choral arrangement of Rhapsody in Blue with the New Jersey Festival Orchestra.
In 2014-2015 Michael Fennelly was the music director for La Cenerentola with New York City Opera, performed with the Buffalo Philharmonic conducted by JoAnn Falletta in the Moross Symphony no. 1, and was the music director for La traviata and appeared in The Paris Salon with the Berkshire Theater Festival. He collaborated with conductor Alan Gilbert on Gloria – A Pig Tale with the New York Philharmonic, as well as several productions with Gotham Opera. Michael Fennelly conducted Madama Butterfly with Amore Opera, and was the music director and pianist for Porgy and Bess with the Tillis Center for the Performing Arts in Long Island.Michael Fennelly has the distinction of being named a Bösendorfer Artist, and represented the US on a tour of Japan for the State Department. He has performed in many of the world’s great concert halls, including Carnegie Hall, Lincoln Center’s David Geffen Hall (formerly Avery Fisher Hall), Munich’s Prinzregenten Theatre, and Berlin’s Komische Oper. His recitals have been broadcast on WQXR (New York City) and NDR Radio (Germany). On film, he appeared as the young Harry Truman (who initially trained to become a concert pianist) for PBS’ American Experience.A versatile and remarkable musician, Michael Fennelly played the Beethoven Choral Fantasy and Mozart’s two piano concerto K.365 with the Saddleback Master Chorale, performed with the Talich Quartet in the Shostakovich Piano Quintet, Op.57, and conducted Lucia di Lammermoor in concert at Carnegie Hall. He was the head coach/pianist for Lyric Opera Virginia’s production of La traviata, Opera Grand Rapid’s La bohème, and the Buck Hill-Skytop Festival’s production of La traviata. He assisted in several productions with Gotham Opera and in the premiere of John Musto’s The Inspector with Wolf Trap Opera.
In the 2011-2012 season Michael Fennelly conducted Eric Salzman’s Big Jim and the Small Time Investors and Arlene Sierra’s Faustine with the Center for Contemporary Opera, as well as many operas with Lyric Opera New York. He was the assistant conductor for Il barbiere di Siviglia and The King and I with Ash Lawn Opera.The Californian made his first concerto appearance at age ten, and subsequently performed with many orchestras throughout California, including the Orange County Philharmonic, Palo Alto Chamber Orchestra, Santa Clara Symphony and the South Coast Symphony Orchestra. While still in high school, he was flown to New York as a last-minute replacement for a soloist with the New York Virtuosi Orchestra, and performed Brahms’ First Piano Concerto in Germany. He has performed concertos with the Manhattan Symphony and with the Barge Festival, and has participated in many world premieres, including Blitzstein’s Cain for the American Composers Alliance.Michael Fennelly was the United States winner of the Horowitz Competition, and made his Carnegie Hall solo recital debut as winner of the Artist International Competition. He was a prize-winner of the Young Artist Peninsula Music Festival, and the Young Keyboard Artist Association. He has performed in Moscow Conservatory’s International Chopin Symposium, New York’s Schoenberg Music Festival, and Italy’s Wilhelm Kempff Beethoven Seminar, and in master classes under John O’Connor, Richard Goode, and Abbey Simon.Michael Fennelly’s early piano teachers were Trula Whelan and Earl Voorhies in California. He attended the Eastman School of Music as a pupil of Dr. Nelita True, and was awarded the prestigious Performer’s Certificate.
He continued his Masters and Doctoral studies with Byron Janis and Dr. Marc Silverman at the Manhattan School of Music, where he received the school’s special prize for chamber music and completed his Doctor of Musical Arts degree with a dissertation on Metric Structure.
Dr. Fennelly was a staff pianist and coach for several years with The Juilliard School. He instituted a chamber music program and worked with Lorin Maazel at the Castleton Festival, and has performed recitals with members of the New York Philharmonic and soloists from the Metropolitan Opera. Michael Fennelly has performed for the Aristotle Onassis Foundation, the Metropolitan Museum of Art, the Kosciuszko Foundation, the Opera Index Foundation, Licia Albanese-Puccini Foundation, Allied Tours, Joy in Singing, and the Metropolitan Opera Guild.
Liszt Grande fantaisie sur des thèmes de l’opéra Niobe (Pacini)
S419 with Michael Fennelly in 2008
J.S. Bach Chromatic Fantasy and Fugue
BWV 903 with Michael Fennelly in 2008
Rachmaninoff – The Christ is risen
Concert “On the Wings of Winter”, Carnegie Well Recital Hall