
Lyrica Classic Entertainment
YOUR MUSIC WASN’T WRITTEN TO STAY ON THE PAGE.
You spent months, maybe years, writing your music.
How much longer are you willing to wait to hear it performed?
Join our free live webinar with Yulia Petrachuk,
Founder & Artistic Director of Lyrica Classic,
and discover a new opportunity to bring your music to the professional stage.
YOU CAN WAIT FOR YEARS — AND STILL NEVER HEAR YOUR MUSIC ON STAGE
According to Bachtrack, in 2025
only 16.2% of works performed in the U.S. and 11.5% in Germany were by living composers

THE OTHER 80%+?
THE COMPOSERS ARE DEAD.

AND THE DOOR ISN’T GETTING WIDER
EVERY YEAR, THOUSANDS OF NEW SCORES COMPETE FOR A TINY SHARE OF THE PROFESSIONAL STAGE
You can keep submitting
Keep emailing
Keep waiting for an orchestra, festival or publisher to choose you
Keep applying for grants

OR YOU CAN LEARN HOW TO CREATE THE OPPORTUNITY
YOURSELF
We don’t just talk about opportunities for composers. We build productions.
WE KNOW HOW TO TURN A SCORE INTO A PREMIERE

CARNEGIE HALL

MARYLAND THEATRE

HELIKON OPERA

MOSCOW INTERNATIONAL HOUSE OF MUSIC

HERMITAGE THEATER
THEY’VE ALREADY HEARD THEIR MUSIC ON STAGE
FROM SCORE TO THE STAGE

ANNE LeBARON
TULA CONCERT HALL
Blue Calls Set You Free
World Premiere, 2024

MISSY MAZZOLI
HELICON OPERA, MOSCOW
Pruving Up
EU Premiere, 2024

EMMANUEL DUBOIS
CARNEGIE HALL, NYC
Requiem for the Fallen
World Premiere, 2019

ELI TAMAR
SOBORNAYA PALATA, MOSCOW
Requiem
World Premiere, 2021

I STOPPED WAITING FOR THE INDUSTRY TO SAY YES
I’m Yulia Petrachuk — opera singer, producer, and Founder & Artistic Director of Lyrica Classic.
For more than a decade, I’ve built music projects across the U.S., Europe, and Russia — working with composers, performers, orchestras, theaters, and cultural institutions to bring ambitious music projects from an idea to the professional stage.
During this live webinar, I’ll show you why the traditional path is becoming increasingly difficult for composers — and reveal a new opportunity through Lyrica Classic for composers ready to take their music beyond the score.
Write the music.
Find a publisher.
Send scores to conductors.
Apply to competitions.
Wait for an orchestra to program you.
Hope someone says yes.
How long are you prepared to wait?
The composers who will survive the next transformation of the industry won’t simply write great music.
They will know how to create opportunities around it.

